Cornell's
surreal box constructions seemed to pop out into the world fully formed, but
were in fact influenced by some very old traditions. In fact the history of
'the box' format spans many centuries, but where did it all begin and how
did Cornell adapt these traditions for his own use?
Jardine (2003)
from the BBC program 'The World in a Box' describes the earliest box format:
"Since
earliest times we have collected extraordinary and exotic objects to wonder
at and puzzle over. From the 16th century they were showcased in private
collections called 'Wunderkammer'. or 'Cabinets of Wonder'. Art and artifacts,
specimens and instruments were jumbled together in celebration of the
known universe... ...When we talk about 'The box' today of course we mean
television. We turn to it for entertainment, stimulation and sometimes
for knowledge. Well these rather more exclusive boxes served a similar
function in the 16th and 17th century europe. They would have belonged
to the royalty or rich nobility. Inside was a display of fantastic treasures
arranged to excite curiosity and awe. Collections were status symbols,
but they were also a response to renaissance ideals, to be curious about
the world and hunt out its' secrets."
Mueller (2003)
describes the continued fascination for 'cabinet of wonders':
"through
the history of europe: A giddy craze was sweeping across Europe at the
turn of the 17th century. The wealthy and the well-connected were hoarding
things-strange things-into obsessive personal collections. Starfish, forked
carrots, monkey teeth, alligator skins, phosphorescent minerals, Indian
canoes, and unicorn tails were acquired eagerly and indiscriminately.
Associations among these objects, if they were made at all, often reflected
a collector's personal vision of an underlying natural order." |